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The Spirit and the Flesh; Fra Angelico and Fra Lippo Lippi.
Every drawing can be understood as a motion study since it is a path of motion recorded by graphic means. 123
The Spirit and the Flesh; Fra Angelico and Fra Lippo Lippi.
A new Bulletin will be issued before january 1 for the remainder of the season.
The free lecture course of the Field Museum of Natural History will be held in the Art Institute
Dans l’art, comme dans la nature, rien ne se perd, rien ne se crée; il faut entendre ici que tout devient.
In the Chelléen horizon, there are no fine art remains, but in the Acheuléen
BIG BULRY POLICEMEN And small sweeps at every corner, providing safe crossing 123
RISING ABRUPTLY ABOVE THE ZINC VILLAGE Lay the first of the great hills, with its open front cut into great terraces, on which the men clung 1234
IN ANOTHER MOMENT YOU ARE RIDING IN LONDON Riding through the never-ending restlessness of its streets in a cab, with your hat-box safe beside you 123
SHIRTS & COLLARS We celebrate a sale in Suspenders today that will appeal to men of good taste who do not object to saving £1.2bn
Wanneer de pen zich langwerpig toespitst, weet iedereen dat een geestelijke bliksem haar vlammend zal ontspringen. 1800
TALL ELMS RISE HERE AND THERE. Along the margin of the valley, their leafy arms recklessly throwing 123
The free lecture course of the Field Museum of Natural History will be held in the Art Institute
Tel chêne est lors au champ grand et superbe
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
Tel chêne est lors au champ grand et superbe
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.
Si l’on descend au fond de tout cela, et qu’on cherche un motif à cette émotion soudain, l’on verra bien que les eroisés nouveaux de cette étonnante croisade portent sur leur bannière ce cri ralliement: « LA VIE! »
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.
Les philosophes qui ont dit: La vie est une création perpétuelle, sont les mèmes qui ont admis: La vie est issue de morts successives.
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
His interactive works have been exhibited worldwide at the Pompidou Center, Ars Electronica, ICC Museum, DeCordova Museum, Boston Museum of Science, and at MIT.
Ja, wanneer zij wil, niet wanneer jij wil. Dan, als ze glijdt, dicht ze en jij leest haar woorden en zij wekken bij jou nieuwe tekens op. En verder glijdt de pen, niet zoals jij dat wil, maar zoals zij dat vermag, verder dan jij het vermoedt, en er ontstaan ganse woordbeelden, waarvan je niet weet wie of wat ze zijn, tot een woord ontvlamt en je geest in andere regionen leidt.
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
Plateau Five aims for a combination of the two seemingly antagonistic terms of individual expression embodied by calligraphy and removal of signature by utilising rigid geometry.
Ja, wanneer zij wil, niet wanneer jij wil. Dan, als ze glijdt, dicht ze en jij leest haar woorden en zij wekken bij jou nieuwe tekens op. En verder glijdt de pen, niet zoals jij dat wil, maar zoals zij dat vermag, verder dan jij het vermoedt, en er ontstaan ganse woordbeelden, waarvan je niet weet wie of wat ze zijn, tot een woord ontvlamt en je geest in andere regionen leidt.
Rhizome
Rhizome is an allround typeface suited for large applications as well as setting passages of text. It combines a glimpse into the past and what was considered as visionary in typography in the beginning of the 20th century. A geometric construction is juxtaposed with classical proportions, letterforms from serif typefaces and details that seem to be shaped by a wedge.
U+0061
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| Release | 2017 |
| Weights | UltraLight, UltraLight Oblique, ExtraLight, ExtraLight Oblique, Light, Light Oblique, Regular, Oblique, Demi, Demi Oblique, Bold, Bold Oblique |
| Format | OpenType |
| Version | 1.661, December 2022 |
| Language Support |
See specimen |