AaBbCc

Heavy Oblique

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AaBbCc

Heavy

features
 
AaBbCc

Bold Oblique

features
 
AaBbCc

Bold

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AaBbCc

Demi Oblique

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AaBbCc

Demi

features
 
AaBbCc

Oblique

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AaBbCc

Regular

features
 
AaBbCc

Light Oblique

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AaBbCc

Light

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AaBbCc

ExtraLight Oblique

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AaBbCc

ExtraLight

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AaBbCc

UltraLight Oblique

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AaBbCc

UltraLight

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Every drawing can be understood as a motion study since it is a path of motion recorded by graphic means. 123

Heavy Oblique

features
 
Which may easily date from 150,000 to 100,000 B. C., or even further back, the great Boucher de Perthes

Heavy

features
 
Je condamne toutes les méthodes, ou modèles, toutes les mesures ... Toutes les règles artistiques, tous les canons vomissent la mort.

Bold Oblique

features
 
Found in the Somme Valley stones which very roughly resemble animals.

Bold

features
 
RISING ABRUPTLY ABOVE THE ZINC VILLAGE Lay the first of the great hills, with its open front cut into great terraces, on which the men clung 1234

Demi Oblique

features
 
IN ANOTHER MOMENT YOU ARE RIDING IN LONDON Riding through the never-ending restlessness of its streets in a cab, with your hat-box safe beside you 123

Demi

features
 
LIKE FLIES ON THE SIDE OF A WALL, Some of them in groups around an opening, or in couples pounding a steel bar held 1234

Oblique

features
 
LIKE FLIES ON THE SIDE OF A WALL, Some of them in groups around an opening, or in couples pounding a steel bar held 1234

Regular

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TALL ELMS RISE HERE AND THERE. Along the margin of the valley, their leafy arms recklessly throwing 123

Light Oblique

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BIG BULRY POLICEMEN And small sweeps at every corner, providing safe crossing 123

Light

features
 
The Spirit and the Flesh; Fra Angelico and Fra Lippo Lippi.

ExtraLight Oblique

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The Spirit and the Flesh; Fra Angelico and Fra Lippo Lippi.

ExtraLight

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De meetkundige lijn is iets onzichtbaars. Zij is het spoor van het punt in beweging, dus het product ervan.

UltraLight Oblique

features
 
Found in the Somme Valley stones which very roughly resemble animals.

UltraLight

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Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were

Heavy Oblique

features
 
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.

Heavy

features
 
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234

Bold Oblique

features
 
Ja, wanneer zij wil, niet wanneer jij wil. Dan, als ze glijdt, dicht ze en jij leest haar woorden en zij wekken bij jou nieuwe tekens op. En verder glijdt de pen, niet zoals jij dat wil, maar zoals zij dat vermag, verder dan jij het vermoedt, en er ontstaan ganse woordbeelden, waarvan je niet weet wie of wat ze zijn, tot een woord ontvlamt en je geest in andere regionen leidt.

Bold

features
 
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234

Demi Oblique

features
 
Plateau Five aims for a combination of the two seemingly antagonistic terms of ­individual expression ­embodied by ­calligraphy and removal of ­signature by utilising rigid geometry.

Demi

features
 
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.

Oblique

features
 
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.

Regular

features
 
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.

Light Oblique

features
 
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.

Light

features
 
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234

ExtraLight Oblique

features
 
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.

ExtraLight

features
 
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.

UltraLight Oblique

features
 
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were

UltraLight

features
 
AÁĂÂÄÀĀĄÅÃÆBCĆČÇĊDÐĎĐEÉĚÊËĖÈĒĘFGĞĢĠHĦIÍÎÏİÌĪĮJKĶLĹĽĻŁMNŃŇŅŊÑOÓÔÖÒŐŌØÕŒPÞQRŔŘŖSŚŠŞȘTŦŤŢȚUÚÛÜÙŰŪŲŮVWẂŴẄẀXYÝŶŸỲZŹŽŻ aáăâäàāąåãæbcćčçċdðďđeéěêëėèēęfgğģġhħiıíîïìīįjkķlĺľļłmnńňņŋñoóôöòőōøõœpþqrŕřŗsśšşșßtŧťţțuúûüùűūųůvwẃŵẅẁxyýŷÿỳzźžż ªº0123456789 ¹²³.,:;…!¡?¿·•*#//\(){}[]-–—_‚„“”‘’«»‹›"'€¢¤$£¥+−×÷=≠><≥≤±≈~^%‰@&¶§©®™°|†‡¨˙`´˝ˆˇ˘˚˜¯¸˛

UltraLight

features
Rhizome

Rhizome is a display typeface for editorial as well as setting passages of text. It combines a glimpse into the past and what was considered as visionary in typography in the beginning of the 20th century. A geometric construction is juxtaposed with classical proportions, letterforms from serif typefaces and details that seem to be shaped by a wedge.

Release 2017
Weights UltraLight, UltraLight Oblique, ExtraLight, ExtraLight Oblique, Light, Light Oblique, Regular, Oblique, Demi, Demi Oblique, Bold, Bold Oblique
Format OpenType
Version 1.641, December 2022
Language
Support
See specimen