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Regular

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Light

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Found in the Somme Valley stones which very roughly resemble animals.

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The free lecture course of the Field Museum of Natural History will be held in the Art Institute

Heavy

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IN ANOTHER MOMENT YOU ARE RIDING IN LONDON Riding through the never-ending restlessness of its streets in a cab, with your hat-box safe beside you 123

Bold Oblique

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A new Bulletin will be issued before january 1 for the remainder of the season.

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Karl Sims is a digital media ­artist and visual effects software developer.

Demi Oblique

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Found in the Somme Valley stones which very roughly resemble animals.

Demi

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Apparently archæologists and art critics have neglected these relics

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In the Chelléen horizon, there are no fine art remains, but in the Acheuléen

Regular

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The painting of Holland and the painting of Italy resemble each other much more closely than the painting of Japan resembles the painting

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The painting of Holland and the painting of Italy resemble each other much more closely than the painting of Japan resembles the painting

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This year upon Saturday afternoons at 3 o’clock, from October 5 to November 30.

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This year upon Saturday afternoons at 3 o’clock, from October 5 to November 30.

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A new Bulletin will be issued before january 1 for the remainder of the season.

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This year upon Saturday afternoons at 3 o’clock, from October 5 to November 30.

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Plateau Five aims for a combination of the two seemingly antagonistic terms of ­individual expression ­embodied by ­calligraphy and removal of ­signature by utilising rigid geometry.

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Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman ­proportions for its ­capital letters.

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Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were

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His interactive works have been ­exhibited ­worldwide at the Pompidou Center, Ars ­Electronica, ICC Museum, ­DeCordova Museum, Boston Museum of Science, and at MIT.

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Plateau Five aims for a combination of the two seemingly antagonistic terms of ­individual expression ­embodied by ­calligraphy and removal of ­signature by utilising rigid geometry.

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THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234

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Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman ­proportions for its ­capital letters.

Oblique

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Plateau Five leaves its ­guiding ­principle behind for letters like the f, r or t, to account for readability and the ­preservation of a text face. For comparison, letters of optically equal width3 in Plateau Five, figure 1, are shown next to letters of classical text typefaces from the renaissance to today, like the Garamond, figure 2.

Regular

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Plateau Five aims for a combination of the two seemingly antagonistic terms of ­individual expression ­embodied by ­calligraphy and removal of ­signature by utilising rigid geometry.

Light Oblique

A A
 

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Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman ­proportions for its ­capital letters.

Light

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Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.

ExtraLight Oblique

A A
 

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Plateau Five leaves its ­guiding ­principle behind for letters like the f, r or t, to account for readability and the ­preservation of a text face. For comparison, letters of optically equal width3 in Plateau Five, figure 1, are shown next to letters of classical text typefaces from the renaissance to today, like the Garamond, figure 2.

ExtraLight

A A
 

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Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were

UltraLight Oblique

A A
 

><

Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman ­proportions for its ­capital letters.

UltraLight

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UltraLight

Rhizome

Rhizome is a display typeface for editorial as well as setting passages of text. It combines a glimpse into the past and what was considered as visionary in typography in the beginning of the 20th century. A geometric construction is juxtaposed with classical proportions, letterforms from serif typefaces and details that seem to be shaped by a wedge.

Release 2017
Weights UltraLight, UltraLight Oblique, ExtraLight, ExtraLight Oblique, Light, Light Oblique, Regular, Oblique, Demi, Demi Oblique, Bold, Bold Oblique
Format OpenType
Version 1.641
Language
Support
See specimen