In the Chelléen horizon, there are no fine art remains, but in the Acheuléen
The Dream and its Annunciation: Filippino Lippi and Botticelli.
This year upon Saturday afternoons at 3 o’clock, from October 5 to November 30.
De meetkundige lijn is iets onzichtbaars. Zij is het spoor van het punt in beweging, dus het product ervan.
STUDY IN ASTRONOMY The principal thing in a telescope is the object-glass. It brings the rays of light to a focus, and these create an image of the object looked at. The image is in turn 2346
Which may easily date from 150,000 to 100,000 B. C., or even further back, the great Boucher de Perthes
IN ANOTHER MOMENT YOU ARE RIDING IN LONDON Riding through the never-ending restlessness of its streets in a cab, with your hat-box safe beside you 123
SOUND SWEET MELODIES Music is the source of our social pleasures: it soothes violent impulses in man, it dignifies ceremony 39
RISING ABRUPTLY ABOVE THE ZINC VILLAGE Lay the first of the great hills, with its open front cut into great terraces, on which the men clung 1234
Sculptuur is datgene waarover je struikelt als je een stap achteruit zet om een schilderij te bekijken.
Every drawing can be understood as a motion study since it is a path of motion recorded by graphic means. 123
IN ANOTHER MOMENT YOU ARE RIDING IN LONDON Riding through the never-ending restlessness of its streets in a cab, with your hat-box safe beside you 123
Found in the Somme Valley stones which very roughly resemble animals.
The Dream and its Annunciation: Filippino Lippi and Botticelli.
Les philosophes qui ont dit: La vie est une création perpétuelle, sont les mèmes qui ont admis: La vie est issue de morts successives.
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were
Tel chêne est lors au champ grand et superbe
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.
Les philosophes qui ont dit: La vie est une création perpétuelle, sont les mèmes qui ont admis: La vie est issue de morts successives.
His interactive works have been exhibited worldwide at the Pompidou Center, Ars Electronica, ICC Museum, DeCordova Museum, Boston Museum of Science, and at MIT.
Plateau Five leaves its guiding principle behind for letters like the f, r or t, to account for readability and the preservation of a text face. For comparison, letters of optically equal width3 in Plateau Five, figure 1, are shown next to letters of classical text typefaces from the renaissance to today, like the Garamond, figure 2.
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
La durée, après tout, est le seul témoigagne que nous ayons de la réalité des choses; et, de quoi serait fait, en nous, la sentiment de l’existence, sinon de cette ceritude et de ce souvenir implacable et sublime: Avant nous tout a vécu — et avant nous tout est mort.
Plateau Five leaves its guiding principle behind for letters like the f, r or t, to account for readability and the preservation of a text face. For comparison, letters of optically equal width3 in Plateau Five, figure 1, are shown next to letters of classical text typefaces from the renaissance to today, like the Garamond, figure 2.
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
Base Character Set |
A | B | C | D | E | F | G | H | I | J | K | L | M | N |
O | P | Q | R | S | T | U | V | W | X | Y | Z | a | b |
c | d | e | f | g | h | i | j | k | l | m | n | o | p |
q | r | s | t | u | v | w | x | y | z |
Numerals |
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
Punctuation |
. | , | : | ; | … | ! | ¡ | ? | ¿ | · | • | * | # | / |
\ | ( | ) | { | } | [ | ] | - | – | — | _ | ‚ | „ | “ |
” | ‘ | ’ | « | » | ‹ | › | " | ' |
Symbols |
€ | ¢ | ¤ | $ | £ | ¥ | + | − | × | ÷ | = | ≠ | > | < |
≥ | ≤ | ± | ≈ | ~ | ^ | % | ‰ | @ | & | ¶ | § | © | ® |
™ | ° | | | † | ‡ |
Accented |
Á | Ă | Â | Ä | À | Ā | Ą | Å | Ã | Ć | Č | Ç | Ċ | Ď |
Đ | É | Ě | Ê | Ë | Ė | È | Ē | Ę | Ğ | Ģ | Ġ | Ħ | Í |
Î | Ï | İ | Ì | Ī | Į | Ķ | Ĺ | Ľ | Ļ | Ł | Ń | Ň | Ņ |
Ñ | Ó | Ô | Ö | Ò | Ő | Ō | Ø | Õ | Ŕ | Ř | Ŗ | Ś | Š |
Ş | Ș | Ŧ | Ť | Ţ | Ț | Ú | Û | Ü | Ù | Ű | Ū | Ų | Ů |
Ẃ | Ŵ | Ẅ | Ẁ | Ý | Ŷ | Ÿ | Ỳ | Ź | Ž | Ż | á | ă | â |
ä | à | ā | ą | å | ã | ć | č | ç | ċ | ď | đ | é | ě |
ê | ë | ė | è | ē | ę | ğ | ģ | ġ | ħ | ı | í | î | ï |
ì | ī | į | ķ | ĺ | ľ | ļ | ł | ń | ň | ņ | ñ | ó | ô |
ö | ò | ő | ō | ø | õ | ŕ | ř | ŗ | ś | š | ş | ș | ŧ |
ť | ţ | ț | ú | û | ü | ù | ű | ū | ų | ů | ẃ | ŵ | ẅ |
ẁ | ý | ŷ | ÿ | ỳ | ź | ž | ż |
Latin-1 Supplement, Latin Extended-A |
Æ | Ð | Ŋ | Œ | Þ | æ | ŋ | œ | þ | ß | ð |