O du, Geliebte meiner siebenundzwanzig Sinne, ich liebe dir! -Du deiner dich dir, ich dir, du mir. -Wir?
In the Chelléen horizon, there are no fine art remains, but in the Acheuléen
In the Chelléen horizon, there are no fine art remains, but in the Acheuléen
Sculptuur is datgene waarover je struikelt als je een stap achteruit zet om een schilderij te bekijken.
LIKE FLIES ON THE SIDE OF A WALL, Some of them in groups around an opening, or in couples pounding a steel bar held 1234
A new Bulletin will be issued before january 1 for the remainder of the season.
STUDY IN ASTRONOMY The principal thing in a telescope is the object-glass. It brings the rays of light to a focus, and these create an image of the object looked at. The image is in turn 2346
Every drawing can be understood as a motion study since it is a path of motion recorded by graphic means. 123
De meetkundige lijn is iets onzichtbaars. Zij is het spoor van het punt in beweging, dus het product ervan.
Found in the Somme Valley stones which very roughly resemble animals.
BIG BULRY POLICEMEN And small sweeps at every corner, providing safe crossing 123
The Dream and its Annunciation: Filippino Lippi and Botticelli.
In the Chelléen horizon, there are no fine art remains, but in the Acheuléen
Dans l’art, comme dans la nature, rien ne se perd, rien ne se crée; il faut entendre ici que tout devient.
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.
La durée, après tout, est le seul témoigagne que nous ayons de la réalité des choses; et, de quoi serait fait, en nous, la sentiment de l’existence, sinon de cette ceritude et de ce souvenir implacable et sublime: Avant nous tout a vécu — et avant nous tout est mort.
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
Les philosophes qui ont dit: La vie est une création perpétuelle, sont les mèmes qui ont admis: La vie est issue de morts successives.
Si l’on descend au fond de tout cela, et qu’on cherche un motif à cette émotion soudain, l’on verra bien que les eroisés nouveaux de cette étonnante croisade portent sur leur bannière ce cri ralliement: « LA VIE! »
Si l’on descend au fond de tout cela, et qu’on cherche un motif à cette émotion soudain, l’on verra bien que les eroisés nouveaux de cette étonnante croisade portent sur leur bannière ce cri ralliement: « LA VIE! »
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.
Les philosophes qui ont dit: La vie est une création perpétuelle, sont les mèmes qui ont admis: La vie est issue de morts successives.
His interactive works have been exhibited worldwide at the Pompidou Center, Ars Electronica, ICC Museum, DeCordova Museum, Boston Museum of Science, and at MIT.
La durée, après tout, est le seul témoigagne que nous ayons de la réalité des choses; et, de quoi serait fait, en nous, la sentiment de l’existence, sinon de cette ceritude et de ce souvenir implacable et sublime: Avant nous tout a vécu — et avant nous tout est mort.
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.
Base Character Set |
A | B | C | D | E | F | G | H | I | J | K | L | M | N |
O | P | Q | R | S | T | U | V | W | X | Y | Z | a | b |
c | d | e | f | g | h | i | j | k | l | m | n | o | p |
q | r | s | t | u | v | w | x | y | z |
Numerals |
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
Punctuation |
. | , | : | ; | … | ! | ¡ | ? | ¿ | · | • | * | # | / |
\ | ( | ) | { | } | [ | ] | - | – | — | _ | ‚ | „ | “ |
” | ‘ | ’ | « | » | ‹ | › | " | ' |
Symbols |
€ | ¢ | ¤ | $ | £ | ¥ | + | − | × | ÷ | = | ≠ | > | < |
≥ | ≤ | ± | ≈ | ~ | ^ | % | ‰ | @ | & | ¶ | § | © | ® |
™ | ° | | | † | ‡ |
Accented |
Á | Ă | Â | Ä | À | Ā | Ą | Å | Ã | Ć | Č | Ç | Ċ | Ď |
Đ | É | Ě | Ê | Ë | Ė | È | Ē | Ę | Ğ | Ģ | Ġ | Ħ | Í |
Î | Ï | İ | Ì | Ī | Į | Ķ | Ĺ | Ľ | Ļ | Ł | Ń | Ň | Ņ |
Ñ | Ó | Ô | Ö | Ò | Ő | Ō | Ø | Õ | Ŕ | Ř | Ŗ | Ś | Š |
Ş | Ș | Ŧ | Ť | Ţ | Ț | Ú | Û | Ü | Ù | Ű | Ū | Ų | Ů |
Ẃ | Ŵ | Ẅ | Ẁ | Ý | Ŷ | Ÿ | Ỳ | Ź | Ž | Ż | á | ă | â |
ä | à | ā | ą | å | ã | ć | č | ç | ċ | ď | đ | é | ě |
ê | ë | ė | è | ē | ę | ğ | ģ | ġ | ħ | ı | í | î | ï |
ì | ī | į | ķ | ĺ | ľ | ļ | ł | ń | ň | ņ | ñ | ó | ô |
ö | ò | ő | ō | ø | õ | ŕ | ř | ŗ | ś | š | ş | ș | ŧ |
ť | ţ | ț | ú | û | ü | ù | ű | ū | ų | ů | ẃ | ŵ | ẅ |
ẁ | ý | ŷ | ÿ | ỳ | ź | ž | ż |
Latin-1 Supplement, Latin Extended-A |
Æ | Ð | Ŋ | Œ | Þ | æ | ŋ | œ | þ | ß | ð |