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In the Chelléen horizon, there are no fine art remains, but in the Acheuléen
O du, Geliebte meiner siebenundzwanzig Sinne, ich liebe dir! -Du deiner dich dir, ich dir, du mir. -Wir?
Wanneer de pen zich langwerpig toespitst, weet iedereen dat een geestelijke bliksem haar vlammend zal ontspringen. 1800
Je condamne toutes les méthodes, ou modèles, toutes les mesures … Toutes les règles artistiques, tous les canons vomissent la mort.
O du, Geliebte meiner siebenundzwanzig Sinne, ich liebe dir! -Du deiner dich dir, ich dir, du mir. -Wir?
Every drawing can be understood as a motion study since it is a path of motion recorded by graphic means. 123
De meetkundige lijn is iets onzichtbaars. Zij is het spoor van het punt in beweging, dus het product ervan.
Maar indien we naar alle min of meer belangrijke tentoonstellingen zouden gaan, we zouden snel ons eigen palet aan de muur hangen.
Dans l’art, comme dans la nature, rien ne se perd, rien ne se crée; il faut entendre ici que tout devient.
TALL ELMS RISE HERE AND THERE. Along the margin of the valley, their leafy arms recklessly throwing 123
The Dream and its Annunciation: Filippino Lippi and Botticelli.
SHIRTS & COLLARS We celebrate a sale in Suspenders today that will appeal to men of good taste who do not object to saving £1.2bn
The free lecture course of the Field Museum of Natural History will be held in the Art Institute
Maar indien we naar alle min of meer belangrijke tentoonstellingen zouden gaan, we zouden snel ons eigen palet aan de muur hangen.
Si l’on descend au fond de tout cela, et qu’on cherche un motif à cette émotion soudain, l’on verra bien que les eroisés nouveaux de cette étonnante croisade portent sur leur bannière ce cri ralliement: « LA VIE! »
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.
Tel chêne est lors au champ grand et superbe
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
La durée, après tout, est le seul témoigagne que nous ayons de la réalité des choses; et, de quoi serait fait, en nous, la sentiment de l’existence, sinon de cette ceritude et de ce souvenir implacable et sublime: Avant nous tout a vécu — et avant nous tout est mort.
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
Plateau Five leaves its guiding principle behind for letters like the f, r or t, to account for readability and the preservation of a text face. For comparison, letters of optically equal width3 in Plateau Five, figure 1, are shown next to letters of classical text typefaces from the renaissance to today, like the Garamond, figure 2.
Rhizome
Rhizome is an allround typeface suited for large applications as well as setting passages of text. It combines a glimpse into the past and what was considered as visionary in typography in the beginning of the 20th century. A geometric construction is juxtaposed with classical proportions, letterforms from serif typefaces and details that seem to be shaped by a wedge.
U+0061
a
Regular
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ss02
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| Release | 2017 |
| Weights | UltraLight, UltraLight Oblique, ExtraLight, ExtraLight Oblique, Light, Light Oblique, Regular, Oblique, Demi, Demi Oblique, Bold, Bold Oblique |
| Format | OpenType |
| Version | 1.661, December 2022 |
| Language Support |
See specimen |