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WORKS OF ART The most attractive place in this House is our immense Art Department. Work of all the Master 12
Sculptuur is datgene waarover je struikelt als je een stap achteruit zet om een schilderij te bekijken.
O du, Geliebte meiner siebenundzwanzig Sinne, ich liebe dir! -Du deiner dich dir, ich dir, du mir. -Wir?
SOUND SWEET MELODIES Music is the source of our social pleasures: it soothes violent impulses in man, it dignifies ceremony 39
Je condamne toutes les méthodes, ou modèles, toutes les mesures … Toutes les règles artistiques, tous les canons vomissent la mort.
IN ANOTHER MOMENT YOU ARE RIDING IN LONDON Riding through the never-ending restlessness of its streets in a cab, with your hat-box safe beside you 123
TALL ELMS RISE HERE AND THERE. Along the margin of the valley, their leafy arms recklessly throwing 123
O du, Geliebte meiner siebenundzwanzig Sinne, ich liebe dir! -Du deiner dich dir, ich dir, du mir. -Wir?
De meetkundige lijn is iets onzichtbaars. Zij is het spoor van het punt in beweging, dus het product ervan.
In the Chelléen horizon, there are no fine art remains, but in the Acheuléen
LIKE FLIES ON THE SIDE OF A WALL, Some of them in groups around an opening, or in couples pounding a steel bar held 1234
BIG BULRY POLICEMEN And small sweeps at every corner, providing safe crossing 123
TALL ELMS RISE HERE AND THERE. Along the margin of the valley, their leafy arms recklessly throwing 123
Every drawing can be understood as a motion study since it is a path of motion recorded by graphic means. 123
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
Ja, wanneer zij wil, niet wanneer jij wil. Dan, als ze glijdt, dicht ze en jij leest haar woorden en zij wekken bij jou nieuwe tekens op. En verder glijdt de pen, niet zoals jij dat wil, maar zoals zij dat vermag, verder dan jij het vermoedt, en er ontstaan ganse woordbeelden, waarvan je niet weet wie of wat ze zijn, tot een woord ontvlamt en je geest in andere regionen leidt.
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.
Les philosophes qui ont dit: La vie est une création perpétuelle, sont les mèmes qui ont admis: La vie est issue de morts successives.
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
Plateau Five leaves its guiding principle behind for letters like the f, r or t, to account for readability and the preservation of a text face. For comparison, letters of optically equal width3 in Plateau Five, figure 1, are shown next to letters of classical text typefaces from the renaissance to today, like the Garamond, figure 2.
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were
On peut envisager la ligne du point de vue de ses divers types, du point de vue de sa direction, de son caractère et de sa texture. Types: droite et courbe. Direction: horizontale, verticale et diagonale. Caractère: harmonieuse, molle, en zigzag, aiguë.
Plateau Five aims for a combination of the two seemingly antagonistic terms of individual expression embodied by calligraphy and removal of signature by utilising rigid geometry.
Plateau Five aims for a combination of the two seemingly antagonistic terms of individual expression embodied by calligraphy and removal of signature by utilising rigid geometry.
Rhizome
Rhizome is an allround typeface suited for large applications as well as setting passages of text. It combines a glimpse into the past and what was considered as visionary in typography in the beginning of the 20th century. A geometric construction is juxtaposed with classical proportions, letterforms from serif typefaces and details that seem to be shaped by a wedge.
U+0061
a
Regular
onum
lnum
tnum
sups
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ss02
ss03
ss04
c2sc
smcp
case
| Release | 2017 |
| Weights | UltraLight, UltraLight Oblique, ExtraLight, ExtraLight Oblique, Light, Light Oblique, Regular, Oblique, Demi, Demi Oblique, Bold, Bold Oblique |
| Format | OpenType |
| Version | 1.661, December 2022 |
| Language Support |
See specimen |