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Which may easily date from 150,000 to 100,000 B. C., or even further back, the great Boucher de Perthes
LIKE FLIES ON THE SIDE OF A WALL, Some of them in groups around an opening, or in couples pounding a steel bar held 1234
O du, Geliebte meiner siebenundzwanzig Sinne, ich liebe dir! -Du deiner dich dir, ich dir, du mir. -Wir?
BIG BULRY POLICEMEN And small sweeps at every corner, providing safe crossing 123
In the Chelléen horizon, there are no fine art remains, but in the Acheuléen
Maar indien we naar alle min of meer belangrijke tentoonstellingen zouden gaan, we zouden snel ons eigen palet aan de muur hangen.
Dans l’art, comme dans la nature, rien ne se perd, rien ne se crée; il faut entendre ici que tout devient.
STUDY IN ASTRONOMY The principal thing in a telescope is the object-glass. It brings the rays of light to a focus, and these create an image of the object looked at. The image is in turn 2346
SOUND SWEET MELODIES Music is the source of our social pleasures: it soothes violent impulses in man, it dignifies ceremony 39
Je condamne toutes les méthodes, ou modèles, toutes les mesures … Toutes les règles artistiques, tous les canons vomissent la mort.
Dans l’art, comme dans la nature, rien ne se perd, rien ne se crée; il faut entendre ici que tout devient.
BIG BULRY POLICEMEN And small sweeps at every corner, providing safe crossing 123
Maar indien we naar alle min of meer belangrijke tentoonstellingen zouden gaan, we zouden snel ons eigen palet aan de muur hangen.
Maar indien we naar alle min of meer belangrijke tentoonstellingen zouden gaan, we zouden snel ons eigen palet aan de muur hangen.
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.
La durée, après tout, est le seul témoigagne que nous ayons de la réalité des choses; et, de quoi serait fait, en nous, la sentiment de l’existence, sinon de cette ceritude et de ce souvenir implacable et sublime: Avant nous tout a vécu — et avant nous tout est mort.
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
Si l’on descend au fond de tout cela, et qu’on cherche un motif à cette émotion soudain, l’on verra bien que les eroisés nouveaux de cette étonnante croisade portent sur leur bannière ce cri ralliement: « LA VIE! »
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.
Les philosophes qui ont dit: La vie est une création perpétuelle, sont les mèmes qui ont admis: La vie est issue de morts successives.
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
Plateau Five leaves its guiding principle behind for letters like the f, r or t, to account for readability and the preservation of a text face. For comparison, letters of optically equal width3 in Plateau Five, figure 1, are shown next to letters of classical text typefaces from the renaissance to today, like the Garamond, figure 2.
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
THE VILLAGE WAS EMPTY, EXCEPT FOR THE FAMILIES OF Native workmen and the ownerless dogs, the scavengers of the colony, that snarled and barked and ran leaping in front of the ponies’ heads 1234
His interactive works have been exhibited worldwide at the Pompidou Center, Ars Electronica, ICC Museum, DeCordova Museum, Boston Museum of Science, and at MIT.
Rhizome
Rhizome is an allround typeface suited for large applications as well as setting passages of text. It combines a glimpse into the past and what was considered as visionary in typography in the beginning of the 20th century. A geometric construction is juxtaposed with classical proportions, letterforms from serif typefaces and details that seem to be shaped by a wedge.
U+0061
a
Regular
onum
lnum
tnum
sups
ss01
ss02
ss03
ss04
c2sc
smcp
case
| Release | 2017 |
| Weights | UltraLight, UltraLight Oblique, ExtraLight, ExtraLight Oblique, Light, Light Oblique, Regular, Oblique, Demi, Demi Oblique, Bold, Bold Oblique |
| Format | OpenType |
| Version | 1.661, December 2022 |
| Language Support |
See specimen |