A A
 

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AaBbCc

Bold Italic

A A
 

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AaBbCc

Bold

A A
 

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AaBbCc

Italic

A A
 

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AaBbCc

Regular

A A
 

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AaBbCc

Light Italic

A A
 

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AaBbCc

Light

A A
 

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AaBbCc

Thin Italic

A A
 

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AaBbCc

Thin

A A
 

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The painting of Holland and the painting of Italy resemble each other much more closely than the painting of Japan resembles the painting

Bold Italic

A A
 

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PROUST is an art director and type designer based in Tokyo and specializing in Madeleines. MARCEL studios. ­Follow link in bio.

Bold

A A
 

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TALL ELMS RISE HERE AND THERE. Along the margin of the valley, their leafy arms recklessly throwing 123

Italic

A A
 

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This year upon Saturday afternoons at 3 o’clock, from October 5 to November 30.

Regular

A A
 

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WORKS OF ART The most attractive place in this House is our immense Art Department. Work of all the Master 12

Light Italic

A A
 

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PROUST is an art director and type designer based in Tokyo and specializing in Madeleines. MARCEL studios. ­Follow link in bio.

Light

A A
 

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STUDY IN ASTRONOMY The principal thing in a telescope is the object-glass. It brings the rays of light to a focus, and these create an image of the object looked at. The image is in turn 2346

Thin Italic

A A
 

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Found in the Somme Valley stones which very roughly resemble animals.

Thin

A A
 

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ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789 .,:;…!¡?¿·•*#//\(){}[]-–—_‚„“”‘’«»‹›"'¢¤$€£¥+−×÷=≠><≥≤±≈~^%‰@&¶§©®™°|¦†‡¨˙`´˝ˆˇ˘˚˜¯¸˛ÁĂÂÄÀĀĄÅÃǼĆČÇĊĎĐÉĚÊËĖÈĒĘĞĢĠĦÍÎÏİÌĪĮĶĹĽĻŁŃŇŅÑÓÔÖÒŐŌØÕŔŘŖŚŠŞȘŦŤŢȚÚÛÜÙŰŪŲŮẂŴẄẀÝŶŸỲŹŽŻáăâäàāąåãǽćčçċďđéěêëėèēęğģġħıíîïìīįķĺľļłńňņñóôöòőōøõŕřŗśšşșŧťţțúûüùűūųůẃŵẅẁýŷÿỳźžżÆÐŊŒÞæŋœþßẞffffifflfiflªº¹²³

Thin

Plateau Five

Plateau Five is a display typeface with an appearance mostly based on forms of the ­transitional period between Baroque and Neo-Classicism and has an underlying rigid structure. Its serifs ­are prominent and the generally expressive tone that comes with italics is muted.

Plateau Five is based on the principle of even distribution, rooted in the social ideas that emerged with modernity during the 1920s in the western world. Applied to the typeface at hand this means that most letter widths of the Latin ­characters are optically equal.

For more design information see the specimen.

More
Release 2020
Weights Thin, Thin Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic
Format OpenType
Version 2.022
Language
Support
See specimen