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Dans l’art, comme dans la nature, rien ne se perd, rien ne se crée; il faut entendre ici que tout devient.
De meetkundige lijn is iets onzichtbaars. Zij is het spoor van het punt in beweging, dus het product ervan.
Dans l’art, comme dans la nature, rien ne se perd, rien ne se crée; il faut entendre ici que tout devient.
Je condamne toutes les méthodes, ou modèles, toutes les mesures … Toutes les règles artistiques, tous les canons vomissent la mort.
BIG BULRY POLICEMEN And small sweeps at every corner, providing safe crossing 123
Maar indien we naar alle min of meer belangrijke tentoonstellingen zouden gaan, we zouden snel ons eigen palet aan de muur hangen.
Maar indien we naar alle min of meer belangrijke tentoonstellingen zouden gaan, we zouden snel ons eigen palet aan de muur hangen.
IN ANOTHER MOMENT YOU ARE RIDING IN LONDON Riding through the never-ending restlessness of its streets in a cab, with your hat-box safe beside you 123
A new Bulletin will be issued before january 1 for the remainder of the season.
RISING ABRUPTLY ABOVE THE ZINC VILLAGE Lay the first of the great hills, with its open front cut into great terraces, on which the men clung 1234
The free lecture course of the Field Museum of Natural History will be held in the Art Institute
SHIRTS & COLLARS We celebrate a sale in Suspenders today that will appeal to men of good taste who do not object to saving £1.2bn
Which may easily date from 150,000 to 100,000 B. C., or even further back, the great Boucher de Perthes
A new Bulletin will be issued before january 1 for the remainder of the season.
The neighboring estate of Satigny, distant seven hundred meters from the ferme du Bois, was owned by an elder branch of the family Bouvray; there had been a lordy house there since the sixth century and the chàteau had belonged to the Bouvray family since 1400.
Ja, wanneer zij wil, niet wanneer jij wil. Dan, als ze glijdt, dicht ze en jij leest haar woorden en zij wekken bij jou nieuwe tekens op. En verder glijdt de pen, niet zoals jij dat wil, maar zoals zij dat vermag, verder dan jij het vermoedt, en er ontstaan ganse woordbeelden, waarvan je niet weet wie of wat ze zijn, tot een woord ontvlamt en je geest in andere regionen leidt.
Plateau Five aims for a combination of the two seemingly antagonistic terms of individual expression embodied by calligraphy and removal of signature by utilising rigid geometry.
Si l’on descend au fond de tout cela, et qu’on cherche un motif à cette émotion soudain, l’on verra bien que les eroisés nouveaux de cette étonnante croisade portent sur leur bannière ce cri ralliement: « LA VIE! »
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were
Plateau Five aims for a combination of the two seemingly antagonistic terms of individual expression embodied by calligraphy and removal of signature by utilising rigid geometry.
Plateau Five leaves its guiding principle behind for letters like the f, r or t, to account for readability and the preservation of a text face. For comparison, letters of optically equal width3 in Plateau Five, figure 1, are shown next to letters of classical text typefaces from the renaissance to today, like the Garamond, figure 2.
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were
Si l’on descend au fond de tout cela, et qu’on cherche un motif à cette émotion soudain, l’on verra bien que les eroisés nouveaux de cette étonnante croisade portent sur leur bannière ce cri ralliement: « LA VIE! »
Tel chêne est lors au champ grand et superbe
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
Qu’il lui souvient avoir vu estre en herbe,
Et les forests a vu plantes menues,
Qui, quant et lui, sont vieilles devenues.
Although patterning, i. e. defining grids for letters, might have been around since textura type to provide a less laborious production process of letterpunches, the aspect of construction grew in the 18th century with the commission of a typeface by French royalty and rose to prominence between the two world wars with ideas by a. o. Theo Van Doesburg of De Stijl or Herbert Bayer of the Bauhaus.
Now these Batta, Easter Island and Hawaiian heads bring forward some other most interesting problems. No such heads are found in America. And why not? If their makers belong to one family, it implies either that formerly the land connections between Sumatra, Easter Island and Hawaii were
Plateau Five is constructed and theoretical as Schmidt Grotesque or alfabet, whereas a serif face asks for more compromise in the variety of used forms and must eventually fail to fulfil the intended outset. When designing Futura with the intention to avoid historicism and apply his utopian vision of typography, even Renner compromised by using ancient roman proportions for its capital letters.
La durée, après tout, est le seul témoigagne que nous ayons de la réalité des choses; et, de quoi serait fait, en nous, la sentiment de l’existence, sinon de cette ceritude et de ce souvenir implacable et sublime: Avant nous tout a vécu — et avant nous tout est mort.
Rhizome
Rhizome is an allround typeface suited for large applications as well as setting passages of text. It combines a glimpse into the past and what was considered as visionary in typography in the beginning of the 20th century. A geometric construction is juxtaposed with classical proportions, letterforms from serif typefaces and details that seem to be shaped by a wedge.
U+0061
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| Release | 2017 |
| Weights | UltraLight, UltraLight Oblique, ExtraLight, ExtraLight Oblique, Light, Light Oblique, Regular, Oblique, Demi, Demi Oblique, Bold, Bold Oblique |
| Format | OpenType |
| Version | 1.661, December 2022 |
| Language Support |
See specimen |